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After one hundred days of confinement following a bone marrow transplant, I rejoiced in taking short walks to a nearby park as I was writing ‘Girl in Hyacinth Blue.’ The uncertainty of my survival made every blade of grass gorgeous in its green intensity, lifting itself up, doing its part to make the world beautiful.

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Susan Vreeland

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I write about art out of gratitude to painters for the joy and spiritual uplift they have given me. Painters interpret for us the visual glories of God and, in this way, bring us closer to Him.

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I love my life, my family and my friends, and I’m drawn to ‘relationship’ novels because of their affirming focus on the power of love to heal wounds and transform lives.

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June 5, 2024

I love my life, my family and my friends, and I’m drawn to ‘relationship’ novels because of their affirming focus on the power of love to heal wounds and transform lives.

Previous

June 5, 2024

I write about art out of gratitude to painters for the joy and spiritual uplift they have given me. Painters interpret for us the visual glories of God and, in this way, bring us closer to Him.

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After one hundred days of confinement following a bone marrow transplant, I rejoiced in taking short walks to a nearby park as I was writing ‘Girl in Hyacinth Blue.’ The uncertainty of my survival made every blade of grass gorgeous in its green intensity, lifting itself up, doing its part to make the world beautiful.

Susan Vreeland