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Stephen McFeely

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Screenwriting, as a whole, tends to be more objective. In a novel, you can have chapters of stream-of-consciousness writing that add depth to the plot and characters. Film doesn’t allow for that by its nature, at least in the long form.

Stephen McFeely

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Stephen McFeely

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When you’re sitting in the theater watching your own work be performed, you get to see people’s reactions immediately. Unlike with a book, you don’t have to wait for responses. That’s very satisfying. Unless it’s a joke that falls flat.

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I very rarely laugh. I remember I used to have a joy at comedy. I remember going to see Sean Lock for the first time live, just in some comedy club when I was 18, and again, just guttural, pure laughter. I didn’t know what he was doing; I couldn’t see the tricks.

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June 5, 2024

I very rarely laugh. I remember I used to have a joy at comedy. I remember going to see Sean Lock for the first time live, just in some comedy club when I was 18, and again, just guttural, pure laughter. I didn’t know what he was doing; I couldn’t see the tricks.

Previous

June 5, 2024

When you’re sitting in the theater watching your own work be performed, you get to see people’s reactions immediately. Unlike with a book, you don’t have to wait for responses. That’s very satisfying. Unless it’s a joke that falls flat.

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Screenwriting, as a whole, tends to be more objective. In a novel, you can have chapters of stream-of-consciousness writing that add depth to the plot and characters. Film doesn’t allow for that by its nature, at least in the long form.

Stephen McFeely