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Stacey D'Erasmo

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There are more clocks than ever – clocks on computers, on cell phones, on televisions, on any screen available, telling time to the digital second – but they all seem to matter less.

Stacey D'Erasmo

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Stacey D'Erasmo

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Emotional grandeur, rendered in the vernacular, has been Mona Simpson’s forte. In her novels, ‘Anywhere but Here,’ ‘The Lost Father’ and ‘A Regular Guy,’ Simpson wrote wide and long and high about the most profound human bonds: parents and children lost each other, found each other, lost each other again, but differently.

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In my darker moments, I feel like the Queen of England, bound and gagged by reverence. Tin-crowned and irrelevant.

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June 5, 2024

In my darker moments, I feel like the Queen of England, bound and gagged by reverence. Tin-crowned and irrelevant.

Previous

June 5, 2024

Emotional grandeur, rendered in the vernacular, has been Mona Simpson’s forte. In her novels, ‘Anywhere but Here,’ ‘The Lost Father’ and ‘A Regular Guy,’ Simpson wrote wide and long and high about the most profound human bonds: parents and children lost each other, found each other, lost each other again, but differently.

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There are more clocks than ever – clocks on computers, on cell phones, on televisions, on any screen available, telling time to the digital second – but they all seem to matter less.

Stacey D'Erasmo