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Stacey D'Erasmo

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Shelley Jackson’s ‘Half Life’ is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman.

Stacey D'Erasmo

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Stacey D'Erasmo

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The Girls,’ by Lori Lansens, is a ballad, a melancholy song of two very strange, enchanted girls who live out their peculiar, ordinary lives in a rural corner of Canada.

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As readers, we sense when the game is being played for real and when something else is afoot: pride, showmanship, the pursuit of power, self-aggrandizement, revenge, making money. Not that there’s anything wrong with any of that, but I dislike closing a book with the sense that I’ve been had.

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June 5, 2024

As readers, we sense when the game is being played for real and when something else is afoot: pride, showmanship, the pursuit of power, self-aggrandizement, revenge, making money. Not that there’s anything wrong with any of that, but I dislike closing a book with the sense that I’ve been had.

Previous

June 5, 2024

The Girls,’ by Lori Lansens, is a ballad, a melancholy song of two very strange, enchanted girls who live out their peculiar, ordinary lives in a rural corner of Canada.

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Shelley Jackson’s ‘Half Life’ is the textual equivalent of an installation, a multivocal, polymorphous, dialogic, dystopian satire wrapped around a murder mystery wrapped around a bildungsroman.

Stacey D'Erasmo