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I was a terrible painter – my portraits looked like the evil chimera love-children of Picasso’s demoiselles and the BBC test card clown.

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Sarah Hall

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Set in a nameless colonial country, in an unspecified era, Katie Kitamura’s second novel tracks the fortunes of a landowning family during the first waves of civil unrest.

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Short stories are often strong meat. Reading them, even listening to them, can be challenging, by which I do not mean hard work, simply that a certain amount of nerve and maturity is required.

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June 5, 2024

Short stories are often strong meat. Reading them, even listening to them, can be challenging, by which I do not mean hard work, simply that a certain amount of nerve and maturity is required.

Previous

June 5, 2024

Set in a nameless colonial country, in an unspecified era, Katie Kitamura’s second novel tracks the fortunes of a landowning family during the first waves of civil unrest.

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