Robert Gottlieb

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Just as I was turning fifteen, in the spring of 1946, my parents took me to see ‘The Glass Menagerie,’ well into its year-long run. I had seen a number of shows on Broadway by then, but nothing like this – because there was nothing like this on Broadway.

Robert Gottlieb

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Robert Gottlieb

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Without a Prospero-Caliban relationship to balance the Prospero-Ariel one, ‘The Tempest’ loses much of its resonance.

What really matters is that ‘Black Swan’ deploys and exaggerates all the cliches of earlier ballet movies, especially ‘The Red Shoes,’ another tale of a ballerina driven mad and suicidal.

May 26, 2024

What really matters is that ‘Black Swan’ deploys and exaggerates all the cliches of earlier ballet movies, especially ‘The Red Shoes,’ another tale of a ballerina driven mad and suicidal.

May 26, 2024

Just as I was turning fifteen, in the spring of 1946, my parents took me to see ‘The Glass Menagerie,’ well into its year-long run. I had seen a number of shows on Broadway by then, but nothing like this – because there was nothing like this on Broadway.

Robert Gottlieb

Other Quote

Without a Prospero-Caliban relationship to balance the Prospero-Ariel one, ‘The Tempest’ loses much of its resonance.

What really matters is that ‘Black Swan’ deploys and exaggerates all the cliches of earlier ballet movies, especially ‘The Red Shoes,’ another tale of a ballerina driven mad and suicidal.

What really matters is that ‘Black Swan’ deploys and exaggerates all the cliches of earlier ballet movies, especially ‘The Red Shoes,’ another tale of a ballerina driven mad and suicidal.

Without a Prospero-Caliban relationship to balance the Prospero-Ariel one, ‘The Tempest’ loses much of its resonance.

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Just as I was turning fifteen, in the spring of 1946, my parents took me to see ‘The Glass Menagerie,’ well into its year-long run. I had seen a number of shows on Broadway by then, but nothing like this – because there was nothing like this on Broadway.

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