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Phyllida Lloyd
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I think I wanted to do something that retained the improvised chaos of ‘Mamma Mia’ the theatre show which set it apart from all the slick packaged productions.
Phyllida Lloyd
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I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the ‘Battle of Waterloo,’ and my job was to reload the Brown Bess muskets – the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout.
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Art is all about giving yourself these terrifying challenges, these peaks to climb. You’re at the bottom of the mountain at the start of every new project thinking, ‘Am I going to make it?’
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May 21, 2024
Art is all about giving yourself these terrifying challenges, these peaks to climb. You’re at the bottom of the mountain at the start of every new project thinking, ‘Am I going to make it?’
Previous
May 21, 2024
I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the ‘Battle of Waterloo,’ and my job was to reload the Brown Bess muskets – the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout.
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