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Pawel Pawlikowski

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The Restraint of Beasts’ is a painful subject. We’d shot 60% of the film when I had to stop. The material looks great, like nothing I’ve ever done or even seen before. It could have been really great, definitely original.

Pawel Pawlikowski

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Pawel Pawlikowski

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I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.

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Ida’ is about humanity, about guilt and forgiveness. It’s not a film that deals with an issue as such. It’s more universal.

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May 21, 2024

Ida’ is about humanity, about guilt and forgiveness. It’s not a film that deals with an issue as such. It’s more universal.

Previous

May 21, 2024

I try to turn a place on film into a mental state. I always have three or four locations that I repeat and return to in a film, to make it more mythic. But my fiction films are relatively subjective stories, experienced though one character. And that always justifies a little stylisation in terms of landscape.

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