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I’m not for or against video – or any medium or style, for that matter.

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Jerry Saltz

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As I made my way through ‘On Line,’ the austere, stridently dogmatic, sometimes revelatory exhibition ‘about line’ at MoMA, I found myself thinking, ‘Someone please wake me when the seventies are over!’ In the empire of curators, the sun never sets on the seventies. It is the undead decade.

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After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades – even if it’s now close to aesthetic kudzu.

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May 3, 2024

After its hothouse incubation in the seventies, appropriation breathed important new life into art. This life flowered spectacularly over the decades – even if it’s now close to aesthetic kudzu.

Previous

May 3, 2024

As I made my way through ‘On Line,’ the austere, stridently dogmatic, sometimes revelatory exhibition ‘about line’ at MoMA, I found myself thinking, ‘Someone please wake me when the seventies are over!’ In the empire of curators, the sun never sets on the seventies. It is the undead decade.

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