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Whenever you’re making something, you’re hoping that it connects with somebody in some big way, but I’d have to be crazy to expect that.

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Hiro Murai

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I like shooting locations just because too much control on the stage can be a bad thing.

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With ‘Nobody Knows,’ I consciously set out to make a fiction film, which is a different approach from ‘Distance,’ but I still applied a lot of the things I learned from making ‘Distance’: for example, how to use the camera in relation to the children and how to create the right atmosphere on set.

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April 30, 2024

With ‘Nobody Knows,’ I consciously set out to make a fiction film, which is a different approach from ‘Distance,’ but I still applied a lot of the things I learned from making ‘Distance’: for example, how to use the camera in relation to the children and how to create the right atmosphere on set.

Previous

April 30, 2024

I like shooting locations just because too much control on the stage can be a bad thing.

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