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I remember borrowing my mum’s Instamatic 110 camera as a kid and doing still lifes of tennis balls and benches and thinking they were going to be something really amazing. They ended up being really bad.

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Greig Fraser

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If you go into a studio without a set effectively, you’ve got a blue screen. As a DP you have to light it of what you think it should look like. You don’t have any reference of what the background looks like. You might have some concepts, but effectively you’re lighting it as what you think it should look like.

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The reason I loved doing films like ‘Rogue One,’ ‘Zero Dark Thirty’ and ‘Lion’ was that there was enough breadth and difference in those projects to properly represent my interests.

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April 30, 2024

The reason I loved doing films like ‘Rogue One,’ ‘Zero Dark Thirty’ and ‘Lion’ was that there was enough breadth and difference in those projects to properly represent my interests.

Previous

April 30, 2024

If you go into a studio without a set effectively, you’ve got a blue screen. As a DP you have to light it of what you think it should look like. You don’t have any reference of what the background looks like. You might have some concepts, but effectively you’re lighting it as what you think it should look like.

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