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I turn my feet in when I’m sitting down. I tend to put my arms across me when I’m sat thinking; I bend forwards. Loads of protective curves.

Follow Me Written By

Glenda Jackson

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I find it extraordinary that contemporary dramatists don’t find women interesting. Women are rarely, if ever, the central dramatic engine; they’re there as an adjunct, and that hasn’t changed at all.

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You can go onto that stage every night, and it’s always the equivalent of going onto the topmost diving board, and you don’t know if there’s any water in the pool.

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April 29, 2024

You can go onto that stage every night, and it’s always the equivalent of going onto the topmost diving board, and you don’t know if there’s any water in the pool.

Previous

April 29, 2024

I find it extraordinary that contemporary dramatists don’t find women interesting. Women are rarely, if ever, the central dramatic engine; they’re there as an adjunct, and that hasn’t changed at all.

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