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Christophe Gans

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Everything in horror film is about transgression, and the young audience wants to touch something that is forbidden and is, by function, anti-establishment. It is a way for young audiences to express rebellion and also to deal with very modern fear but in a very playful way, in a very symbolic way.

Christophe Gans

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Christophe Gans

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A James Bond film can be artistically fulfilling. Absolutely it can. It can be complex, and it can be interesting. I consider Bond movies to be an extension of popular theatre, a kind of modern mythology. You see the same sort of action in ‘Punch and Judy’ or in the folk theatre of various cultures, like ‘Grand Guignol.’

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Criminal and terrorist threats are morphing beyond traditional actors and tactics. We still have to worry about things like an al-Qaida cell plotting a large-scale attack, but we also now have to worry increasingly about homegrown violent extremists radicalizing in the shadows.

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April 25, 2024

Criminal and terrorist threats are morphing beyond traditional actors and tactics. We still have to worry about things like an al-Qaida cell plotting a large-scale attack, but we also now have to worry increasingly about homegrown violent extremists radicalizing in the shadows.

Previous

April 25, 2024

A James Bond film can be artistically fulfilling. Absolutely it can. It can be complex, and it can be interesting. I consider Bond movies to be an extension of popular theatre, a kind of modern mythology. You see the same sort of action in ‘Punch and Judy’ or in the folk theatre of various cultures, like ‘Grand Guignol.’

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