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Fine-tuning a play like ‘Uncle Vanya,’ which is already well-known to the people playing it, is not so much a verbal exercise as it is a visceral one.

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Zubin Mehta

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Fine-tuning a play like ‘Uncle Vanya,’ which is already well-known to the people playing it, is not so much a verbal exercise as it is a visceral one.

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Fine-tuning a play like ‘Uncle Vanya,’ which is already well-known to the people playing it, is not so much a verbal exercise as it is a visceral one.

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Follow us on Instagram