For me, anything can be music! I can get huge enjoyment and be moved totally by the purity and perfection of some Renaissance polyphony, but equally I can feel emotion in the expectant hum of a big old guitar amp just before the strings are hit. Steven Price Read Quote
It’s true, most of my days are spent alone in a dark room! I don’t really want anyone to see me trying and failing to nail the 40th take of a simple piano cue. Steven Price Read Quote
Fear is one of those really primal emotions which you don’t want to have incredibly exciting modulations and complex harmonies and all that kind of stuff. Steven Price Read Quote
I worry about technical details – did I mix the cello half a decibel too high? Things like that. Steven Price Read Quote
With a lot of action scores, you’re competing with a lot of noise. Say there’s a big explosion: the music would conventionally have a lot of Hollywood-style percussion or brass, because that’s the only thing that will cut through. Steven Price Read Quote
I go into the whole composer thing quite open to keep on going and keep on trying different things because you never know… the next idea you have might be the one. Steven Price Read Quote
A lot of the music editing job is communication and working out what a director really wants the music to be. Steven Price Read Quote
When I was growing up, I loved the films where you’d start them and the score might sound really odd at first and really different, and then by the time you finish, you can’t imagine it being any other way. Steven Price Read Quote
My house was full of music. My main memories are of the record player at home: it was all Beatles and Rolling Stones, and we danced around the living room; that started me off on instruments, and I’ve done nothing else ever since. Steven Price Read Quote
