Networks like Adult Swim allow artists to be artists and allow their vision to come through without a lot of tinkering. I worked on ‘Moral Orel’ and ‘Mary Shelley’s Frankenhole,’ and they bothered us very little. They very, very seldom came to us and said ‘Change this,’ or ‘You can’t do that,’ or ‘We’d like to see this.’ Scott Adsit Read Quote
It’s hard to tell what is even mainstream anymore because there’s so many platforms now. And they’re all topics of conversation. Scott Adsit Read Quote
I think the longer a sitcom is on the air, by necessity, the dumber the characters have to get: otherwise, they would be learning and growing, and they won’t be funny, so they have to get more and more extremely whatever they are. Scott Adsit Read Quote
Every time that you do a play or a show of any kind, really you have this family that you really build something with for a while, and then we all dissipate, but you always have that connection, that eternal kind of intimacy, you’ll always have. Scott Adsit Read Quote
I’ve been doing improv since high school, and I’ve been getting paid for it since I was 20. Scott Adsit Read Quote
I was doing a show in L.A. called ‘Celebrity Autobiography,’ where celebrities read excerpts from other celebrities’ books and hang themselves with their own rope. Scott Adsit Read Quote
I think it’s all the same animal for me. There are actors who sing, and there are actors who direct, and I also improvise. That’s one thing I do as part of my acting. I don’t really separate the two. Scott Adsit Read Quote
I got an agent when I needed one, when I had a contract negotiation for the first time. I was doing the Second City E.T.C., and I got invited to audition for the last season, it turns out, of ‘In Living Color.’ Scott Adsit Read Quote
