I was doing the Klaus Schulze noise-kid thing before it became interesting to people. Oneohtrix Point Never Read Quote
I’ve always been obsessed with the grain of the human voice. It’s the ultimate instrument, there’s this whole level of virtuosity and poetry, a sort of athleticism, of controlling your voice. Oneohtrix Point Never Read Quote
My friends and I have often discussed the plausibility of a connection between qualitatively bad music and quantifiably successful music, often citing the example of Candlebox and their paradoxical influence on culture. Oneohtrix Point Never Read Quote
When people talk about how parameters can generate really good work, there’s no better example than working within a genre in film. That’s like the ultimate parameter. Oneohtrix Point Never Read Quote
As a movie fan, I remember Quentin Tarantino and Lawrence Bender and the sort of energy around ‘Reservoir Dogs,’ and the jump from ‘Reservoir Dogs’ to ‘Pulp Fiction,’ and how everybody was stoked on Quentin’s career. Oneohtrix Point Never Read Quote
The easiest way for me to tell someone what I do is to say that I’m a non-musician who practises and produces music. I don’t have a theoretical language for music. I have this abstract dream language. Oneohtrix Point Never Read Quote
I love seeing Tim Hecker perform because the experience truly shakes me. Oneohtrix Point Never Read Quote
The problem with depicting what’s weird and what isn’t is that it’s got to this point of near total oversaturation. There’s definitely a threshold at which that language and experience becomes tedious. How can something be weird if everything is apparently weird? Oneohtrix Point Never Read Quote