How can we reinterpret 3-D printing in a way that suggests a new design language? Neri Oxman Read Quote
In many ways, I think I’m still forming my ideas about my own identity in this world. Neri Oxman Read Quote
Our facial skins are thin with large pores; our back skins are thicker with small pores. One acts mainly as filter, the other mainly as barrier. And yet, it’s the same skin, no parts, no assemblies. It’s a system that gradually varies its functionality by varying elasticity. Neri Oxman Read Quote
I loathe categorization. I cherish my independence, and I treasure chivalry. I live just fine with ambiguity, and I welcome a good quarrel about all things designed or grown – except for when men misnomer ‘confident’ with ‘poised’ and ‘passionate’ with ‘feisty.’ I work hard. Neri Oxman Read Quote
We’ve managed to motion-track the silkworm’s movement as it is building its cocoon. Our aim was to translate the motion-capture data into a 3D printer connected to a robotic arm in order to study the biological structure in larger scales. Neri Oxman Read Quote
In traditional 3D printing, the gantry size poses an obvious limitation for the designer who wishes to print in larger scales and achieve structural and material complexity. Neri Oxman Read Quote
If you think about it, the printing press allowed everyone to print books – it democratised the printing of information. For the first time, we could all print. Neri Oxman Read Quote
Could we design an all-glass building with internal channels and networks for airflow and water circulation? Can we surpass the great modern tradition of discrete formal and functional partitions and generate an all-in-one building skin? Neri Oxman Read Quote
When you celebrate a new idea, it immediately comes through the way you hold yourself and the clothes you wear. Neri Oxman Read Quote
