I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you’re an idiot. And once that becomes ingrained, at least for me, I think I’ll feel really comfortable to work with other people and still feel that same freedom. K. Flay Read Quote
I liked that music was a window into a world with a lot of unpredictability and chaos; it was almost diametrically opposed to my very regimented day-to-day living. K. Flay Read Quote
My sound is, at its core, a mix of things. Definitely an imperfect mix, but one that incorporates elements of the music I love – a bit of indie rock, super rhythmic rapping, and lots of synths. K. Flay Read Quote
I know that in my own mind, I struggle with a desire to be both entirely absent and entirely present in any given moment. K. Flay Read Quote
Pre-show, I warm up my voice, stretch, do a little team huddle, and sometimes throw a shot of whiskey in there, too. After the show, I hang out at merch meeting people and signing things. After that, I usually try to see friends in whatever city we’re in, or if I’m super beat, listen to a podcast and pass out. K. Flay Read Quote
The one thing that I’ve always kind of had, ever since I was a kid, was that I lack a certain degree of self-consciousness, which is alternately good and bad. K. Flay Read Quote
I was always very academically focused when I was growing up, and music was something for which I really had no preconceptions or expectations for myself or really any rules. It kind of represented, at least for me, a divergent path of creativity and self-discovery. K. Flay Read Quote
A friend of mine encouraged me to try rapping, so I started experimenting with it, writing verses, seeing if I could fit an extra word or syllable into each line without tripping myself up. K. Flay Read Quote
I’m intrigued by people who are super adept at manipulating their own image. We all do it to a certain extent. K. Flay Read Quote
