What is this’, and ‘How is this done?’ are the first two questions to ask of any work of art. The second question immediately illuminates the first, but it often doesn’t get asked. Perhaps it sounds too technical. Perhaps it sounds pedestrian. James Fenton Read Quote
Hearing that the same men who brought us ‘South Park’ were mounting a musical to be called ‘The Book of Mormon,’ we were tempted to turn away, as from an inevitable massacre. James Fenton Read Quote
A cabaret song has got to be written – for the middle voice, ideally – because you’ve got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer. James Fenton Read Quote
My feeling is that poetry will wither on the vine if you don’t regularly come back to the simplest fundamentals of the poem: rhythm, rhyme, simple subjects – love, death, war. James Fenton Read Quote
If you’re writing a song, you have to write something that can be understood serially. When you’re reading a poem that’s written for the page, your eye can skip up and down. You can see the thing whole. But you’re not going to see the thing whole in the song. You’re going to hear it in series, and you can’t skip back. James Fenton Read Quote
English poetry begins whenever we decide to say the modern English language begins, and it extends as far as we decide to say that the English language extends. James Fenton Read Quote
Some people think that English poetry begins with the Anglo-Saxons. I don’t, because I can’t accept that there is any continuity between the traditions of Anglo-Saxon poetry and those established in English poetry by the time of, say, Shakespeare. And anyway, Anglo-Saxon is a different language, which has to be learned. James Fenton Read Quote
When we study Shakespeare on the page, for academic purposes, we may require all kinds of help. Generally, we read him in modern spelling and with modern punctuation, and with notes. But any poetry that is performed – from song lyric to tragic speech – must make its point, as it were, without reference back. James Fenton Read Quote
What I want, when I write a poem, is no more than this: that it be preserved in some published form so that, in principle, someone, somewhere, will be able to find it and read it. That is all I need, as a poet, and that is the beauty, the luxury of my position. My lyric is mine and remains mine. Nobody can ruin it. James Fenton Read Quote
Sometimes I have thought that a song should look disappointing on the page – a little thin, perhaps, a little repetitive, or a little on the obvious side, or a mixture of all of these things. James Fenton Read Quote