This is the great thing about my friends over at Lucasfilm: They are so committed to the highest quality product that they allow their DPs to come on well in advance of the shoot. Greig Fraser Read Quote
This is the good thing about commercials, is one week I’m working with Derek Cianfrance and the next week I’m working with another really good friend. Greig Fraser Read Quote
I place ‘Star Wars’ on such a pedestal, like many of my peers do, given that we all grew up with these stories. Greig Fraser Read Quote
I rewatched a lot of ‘Star Wars’ when I did ‘Rogue One,’ and the thing I learned was that as a young person, consuming ‘Star Wars’ at the level that I consumed ‘Star Wars,’ it kind of molds your visual psyche, so you see the world in ‘Star Wars’-ian fashion. Greig Fraser Read Quote
A lot of the time, what happens is, when you shoot in L.A., you tend to be able to do things faster, believe it or not. Greig Fraser Read Quote
Doing a ‘Star Wars’ TV show could be prohibitively expensive because ‘Star Wars’ requires a lot of prop building and a lot of character building, so we wanted to – with ILM’s help – be able to make it a financially viable option to solve all the problems that you have with shooting a blue screen environment. Greig Fraser Read Quote
If you go into a studio without a set effectively, you’ve got a blue screen. As a DP you have to light it of what you think it should look like. You don’t have any reference of what the background looks like. You might have some concepts, but effectively you’re lighting it as what you think it should look like. Greig Fraser Read Quote
