With ‘Hannibal,’ it’s like reactive scoring so I don’t get ahead. I don’t read a script; I don’t want to know what’s going to happen until its happening in front of me and I’m able to have an instrument in my hands that I’m playing to make some kind of a map, some sort of tonal map, that I can then build on. Brian Reitzell Read Quote
I think for a horror experience to be really scary, something has to be a bit of a shock and a surprise. It’s like something you’ve never experienced before. Brian Reitzell Read Quote
I really don’t like the way most movies and TV shows are supervised – I hate when there’s someone singing over dialogue, songs just thrown in there. Brian Reitzell Read Quote
The library companies have made it so that music is so cheap to license. They do sound-alikes of every band, and it makes it harder for the actual bands to get any decent paychecks for licensing. Brian Reitzell Read Quote
I’m always full of ideas. I just haven’t stopped doing what I did as a teenager. Now I just happen to get paid for it! Brian Reitzell Read Quote
I approach horror music differently than anything else. The very first time I watch an episode, I want to be playing an instrument to it so I can get that shock into the show. Brian Reitzell Read Quote
Bronze makes the most complex waveforms of any substance known to man. It creates these vibrations that will just crack your skull. Brian Reitzell Read Quote