Robert Gottlieb

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Wayne McGregor’s ‘Dyad 1929’ is a good example of this capable British choreographer’s work.

Robert Gottlieb

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Robert Gottlieb

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Without a Prospero-Caliban relationship to balance the Prospero-Ariel one, ‘The Tempest’ loses much of its resonance.

What really matters is that ‘Black Swan’ deploys and exaggerates all the cliches of earlier ballet movies, especially ‘The Red Shoes,’ another tale of a ballerina driven mad and suicidal.

May 26, 2024

What really matters is that ‘Black Swan’ deploys and exaggerates all the cliches of earlier ballet movies, especially ‘The Red Shoes,’ another tale of a ballerina driven mad and suicidal.

May 26, 2024

Wayne McGregor’s ‘Dyad 1929’ is a good example of this capable British choreographer’s work.

Robert Gottlieb

Other Quote

Without a Prospero-Caliban relationship to balance the Prospero-Ariel one, ‘The Tempest’ loses much of its resonance.

What really matters is that ‘Black Swan’ deploys and exaggerates all the cliches of earlier ballet movies, especially ‘The Red Shoes,’ another tale of a ballerina driven mad and suicidal.

What really matters is that ‘Black Swan’ deploys and exaggerates all the cliches of earlier ballet movies, especially ‘The Red Shoes,’ another tale of a ballerina driven mad and suicidal.

Without a Prospero-Caliban relationship to balance the Prospero-Ariel one, ‘The Tempest’ loses much of its resonance.

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Wayne McGregor’s ‘Dyad 1929’ is a good example of this capable British choreographer’s work.

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