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A theatre is not a blank page for editorial, it is not a soapbox or a Tannoy system: it is a conscience that wakes with what is happening in the space, and wakes further still in response to what people are making of it.

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Andrew O'Hagan

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There are two perspectives on the oil sands. You have companies that want to make it the next Saudi Arabia. The other is that it’s a transitional resource to a low-carbon economy, and to regard it as anything else is to drain the continent’s financial resources.

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We sometimes forget that human invention can also be a subject of human invention: that might seem a modern notion, or a postmodern one, but novelists have taken time – sometimes time out from their realist fixations – to source and satirise the speech and power we rely on.

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April 21, 2024

We sometimes forget that human invention can also be a subject of human invention: that might seem a modern notion, or a postmodern one, but novelists have taken time – sometimes time out from their realist fixations – to source and satirise the speech and power we rely on.

Previous

April 21, 2024

There are two perspectives on the oil sands. You have companies that want to make it the next Saudi Arabia. The other is that it’s a transitional resource to a low-carbon economy, and to regard it as anything else is to drain the continent’s financial resources.

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