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It is in middles that extremes clash, where ambiguity restlessly rules.

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John Updike

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A narrative is like a room on whose walls a number of false doors have been painted; while within the narrative, we have many apparent choices of exit, but when the author leads us to one particular door, we know it is the right one because it opens.

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In tennis, there is the forehand, the backhand, the overhead smash and the drop volley, all with a different grip.

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May 3, 2024

In tennis, there is the forehand, the backhand, the overhead smash and the drop volley, all with a different grip.

Previous

May 3, 2024

A narrative is like a room on whose walls a number of false doors have been painted; while within the narrative, we have many apparent choices of exit, but when the author leads us to one particular door, we know it is the right one because it opens.

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