Christopher Lloyd

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I’m persistent. In the early ’60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven’t lost that.

Christopher Lloyd

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Christopher Lloyd

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A sign that negotiations were handled well on both sides is that everybody probably feels a little bit like they didn’t get what they wanted.

Whether it’s a very dramatic part or a comical role, I feel I need to create the same thing: a full-fledged, three-dimensional character that the audience can identify with.

April 25, 2024

Whether it’s a very dramatic part or a comical role, I feel I need to create the same thing: a full-fledged, three-dimensional character that the audience can identify with.

April 25, 2024

I’m persistent. In the early ’60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven’t lost that.

Christopher Lloyd

Other Quote

A sign that negotiations were handled well on both sides is that everybody probably feels a little bit like they didn’t get what they wanted.

Whether it’s a very dramatic part or a comical role, I feel I need to create the same thing: a full-fledged, three-dimensional character that the audience can identify with.

Whether it’s a very dramatic part or a comical role, I feel I need to create the same thing: a full-fledged, three-dimensional character that the audience can identify with.

A sign that negotiations were handled well on both sides is that everybody probably feels a little bit like they didn’t get what they wanted.

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I’m persistent. In the early ’60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven’t lost that.

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